To help me break out of a reading slump at the onset of the COVID-19 health emergency, I turned to the books I’ve always trusted to draw me in: thrillers. These three books were among the first I read at that time. While you can never go wrong with a book by Harlan Coben, the […]
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Introduction I came upon Adam O’Fallon Price’s article The Subjective Mood, in which he laments the lack of moral depth in current fiction, back in February. I included it in a literary-links round-up, but I couldn’t stop thinking about it because I find a lot of moral depth in most of the fiction I read.
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I hope that you are all staying healthy and finding solace in activities that comfort you. Book sales surge as self-isolating readers stock up on ‘bucket list’ novels From the U.K. comes news that “Book sales have leapt across the country as readers find they have extra time on their hands, with bookshops reporting a
Penguin Classics and Others Work to Diversify Offerings From the Canon “Across the industry, publishers are releasing titles by authors who were previously marginalized or entirely lost to history.” The critical and commercial success of these titles is a result of a combination of factors: initiative on the part of writers’ families or estates; changing
The Curious Creation of Anna Kavan Although I’ve heard of Anna Kavan—mostly through occasional references to her works—I know nothing about her. But I’ll have to change that, after reading this profile in the New Yorker. She examined the nature of identity, both in her writing and in her personal life. Not long after being
More Book-Related Pandemic News Luckily, books still exist, and can be their own vehicle for connection. And what better reading material for right now than books where the characters are, in some way, alone? None of these are dystopian (at least not in the traditional sense), but are instead characterized by protagonists with complex interior
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I’m Not Feeling Good at All “The perplexingly alienated women of recent American fiction” Jess Bergman writes, “the new heroines of contemporary fiction possess a kind of anhedonic equanimity, more numb than overwhelmed.” Doing No Harm: A Look at Writing Suicide and Self-Harm in Fiction Alice Nuttall makes the case that “Suicide and self-harm are
“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom Jacqueline Alnes talks with Emma Copley Eisenberg, author of true-crime book The Third Rainbow Girl, “about what it means to seek truth in nonfiction, and how writing the personal can allow for more complicated
HOME SWEET HO…MAYBE NOT: THE HAUNTED HOUSE IN FICTION So what is it about the haunted house that spans media types? What is it about the concept that transfixes both audience in the land of imagination, and truth seekers in the science world? Why is this one of those subjects that bridges the gap between
American Dirt Starts An Important Conversation But Not The One Author Intended I avoided the recent brouhaha over Jeanine Cummins’ novel American Dirt while it was developing, but most of the dust seems to have settled now. If you looking for a summary of the situation, this article provides a good overview. It also contains
